But the singular pronouns there (him, his), she (she, she) and she are gender-specific, so we must be careful to choose a singular pronoun that corresponds to the sex of his predecessor: the number is probably the most common cause of errors of pronoun agreement (see 28. Pronoun Errors, #5) followed by sex. The problem with this one is again common. The chord or concord (in abbreviated agr) occurs when a word changes shape according to the other words to which it refers.  This is a case of bending and usually involves making the value of a grammatical category (such as sex or person) « agree » between different words or parts of the sentence. Modern English doesn`t have much correspondence, although it`s there. Article-verb agreement rules sometimes help to show whether a word in a text is a verb or not. For example, if we see the increase in prices combined, we will know by the absence of a final increase, that this must be a noun, because a verb with price as a single theme should be increases. If the increase is a Nov, the price must be a Nov, which describes it in an adjective way (see 38. Nomen Used like Addjectives) – and the verb of the phrase will be elsewhere. In nomine sentences, the adjectives do not show a match with the noun, although pronouns do. z.B.
a szép k-nyveitekkel « with your beautiful books » (« szép »: nice): the suffixes of the plural, the possessive « your » and the fall marking « with » are marked only on the name. In writing, success with the subject-verb chord means recognizing which words are a verb in a intended sentence and its subject to decide whether the subject has a singular or pluralistic meaning, ensuring that the subject has the right form for the intended meaning, and finally ensuring that the verb has the same meaning. The most difficult step seems to be to identify the subject. You will find information about this and a few other steps in the 12. The singular and the decisions of the plural verb. The agreement generally includes the matching of the value of a grammatical category between different elements of a sentence (or sometimes between sentences, as in some cases where a pronoun agrees with its predecessor or its reference opinion). Some categories that often trigger grammatical chords are listed below. In Hungarian, verbs have a polypersonal concordance, which means that they correspond to more than one of the arguments of the verb: not only its subject, but also its object (accusative). There is a difference between the case where a particular object is present and the case where the object is indeterminate or if there is no object at all.
(Adverbs have no influence on the form of the verb.) Examples: Szeretek (I love someone or something indeterminate), szeretem (I love him, she, or her, or her, specifically), szeretlek (I love you); szeret (he loves me, me, you, someone or something indeterminate), szereti (he loves him, her or her especially). Of course, names or pronouns can specify the exact object. In short, there is agreement between a verb and the person and the number of its subject and the specificity of its object (which often refers more or less precisely to the person). The very irregular verb is the only verb with more coherence than this one in the contemporary form. Here are some specific cases for this agreement in English: If you are referring to general groups or names, you should pay attention to the number and gender agreement. In total, there appear to be three main types of combinations for which there is agreement. In addition to verbs and their subjects, we find certain adjective words that correspond to a name that usually follows them, but sometimes goes ahead, and pronouns that correspond to nouns or their equivalents. Each of these types has certain features that may be related to the success of reading and/or writing.